Treatment for Documentary: Barber Shops

Documentary on American American Barber Shops: How Current Shops Came To Be:

The basic concept of this documentary is to have the audience witness and experience what it is like to run a barber shop.
   -Im going to document the day-to-day routine of running 3-4 barber shops in this area and give some like to what it took for the owners to open those barber shops.
-I want the viewer to see what it is like to be a customer at the barber shop
*I will interview a couple of and ask them what do they feel about the barber shop and the barbers.
*Ask customer:
-do they have a favorite barber
-how many timea month do they come to the barber shop
- howmuch do they think they spend a month/year on haircuts/or hair do's

Shooting:
I want to use freehands and a tripod.
* if i use freehands i can get in places that a tripod can not.
* i will use the tripod when i want to get a steady still hand from a wide distance.
* if i want to get a more personal shot and close up i will use freehands.
Angles
* i will start shooting from outside the barber shop and i will shoot myself standing in front of and giving a little introduction about the barber shop.
* while i am giving an introduction about the barber shops i will also let the viewers know what i will be doing(interviewing) in the barber shop.
Lighting
* i wont be using any prop lights because i want to get the nature lighting in the shops
* i will also use the nature lighting of the sun
* i might use one key light for the subject faces
Editing
* i wont do much editing
* maybe ill do a montage
* i may use simple effects

I will keep it simple its just a 2 minutes documentary

"I Wanna Learn!" Part 1

I would like to learn how to shoot while moving in an automobile on the highway.
-are the cars even moving?
-where would i put the prop car when im shooting, in from of a green screen?
-where can i get a giant green screen from, or could i use lime green construction paper?
I would also like to learn how to use different color lights and filters.
I would like to learn how to make a sample video look like a dramatic or action movie.
I also would like to learn how to move and shoot steadily at the same time without a tripod like camera men do.
I would also like to learn how to structure a video in a short amount a time in the proper way.

Theory of Video Lighting

Raphael Bropleh                                   

COMM333 BLOG4

Three-point lighting is simply the fresh format for lighting that isn’t hard to understand and offers you a fast and well-mannered light setup. The straight forward concept is pretty simple. You have three lights, called the key, the fill, and the rim. The key is the inspired light source in the scene, or main light source. The fill light is the light that corrects and softens the key’s shadow. It basically fills in the shadows. The rim is the light that highlights and separates the subject from the background. This concept can help you in a real life situation. When you are setting up the lighting start with the main subject or subjects and figure out what your central light is coming from. Some times it may be obvious what the source is, because it is shown with the scene or it can be the sun coming from the sky. You might have to make up where the light is coming from. Creating new sources where the light is coming from is a decision for the artist, or producer. All the fill light does is to soften the shadow (fill shadows in) of the Key. You may have to use lights from multiple points to motivate the fill and soften the shadows of the key. Fill lighting can be used out of its traditional settings. Different circumstances calls for different usages of the technique. Observing carefully what light does in real life can help you easily understand and use this theory. The rim lighting is the creative practice of separating the subject from the background. A rim light is not always required. Some times it doesn’t always have a natural look within a shot. Switching back and forth from fill light to key light will probably be needed when you start getting more detailed and creative. In most cases you will end up using the concept/theory in a non-traditional way, breaking the rules and doing what makes your video come out the way you wanted it. I often start with three lights on a given subject then split those lights apart to cover the entire scene. When you think about the number of props and subjects, what’s going on in the scenes, and the lighting style; you will find out that you can never have enough lights.